TV spin-offs have always been a gamble. Sometimes, they crash and burn, never quite capturing the magic of the original. But every now and then, a spin-off comes along that not only holds its own but feels just as good—if not better—than the show that inspired it. Whether it was a beloved character getting their own spotlight or a fresh take on an established world, these spin-offs proved that lightning can strike twice.
1. Frasier (1993-2004)
When Cheers wrapped up in 1993, nobody expected Frasier Crane to outshine the Boston bar that made him famous. But Frasier quickly became one of the smartest and most sophisticated sitcoms of all time, mixing highbrow wit with classic slapstick. Kelsey Grammer’s neurotic portrayal of the fussy psychiatrist resonated with audiences, and his dynamic with David Hyde Pierce’s Niles made the show a must-watch. Closer Weekly reports that the reboot this genius show got recently stalled out due to money problems, but there’s never enough Frasier anyway.
What made Frasier so special was its ability to blend heartfelt moments with razor-sharp humor. The writing was some of the best on television, and the ensemble cast—including John Mahoney as the down-to-earth dad Martin—kept the show grounded. Even though it left Cheers behind, Frasier carved out its own legacy and remains one of the greatest sitcoms ever.
2. The Jeffersons (1975-1985)
George and Weezy were such a hit on All in the Family that they didn’t just move on up in life—they got their own show. The Jeffersons took the no-nonsense humor of its parent series and infused it with even more heart and sharp social commentary. Sherman Hemsley’s portrayal of the loud but lovable George was comedy gold, and Isabel Sanford’s Weezy balanced him out perfectly. For those who need a refresher on the ending, Remind dives back into this formative episode.
Unlike All in the Family, which stayed in working-class Queens, The Jeffersons explored success and the challenges that came with it. It tackled race, class, and relationships in ways that still resonate today. With its catchy theme song and unforgettable characters, The Jeffersons became one of the longest-running sitcoms of its era.
3. Laverne & Shirley (1976-1983)
When two wisecracking brewery workers stole the show on Happy Days, it was only a matter of time before they got a series of their own. Laverne & Shirley followed the hilarious misadventures of two best friends trying to make it on their own in Milwaukee. Penny Marshall and Cindy Williams had incredible chemistry, making their characters instantly lovable. Don’t worry, according to People, our stars had a very unique, close bond that continued when the cameras stopped rolling.
While Happy Days had its share of laughs, Laverne & Shirley cranked up the physical comedy. Whether they were dealing with eccentric neighbors or getting into trouble at work, their antics never got old. The show’s working-class setting and relatable struggles made it stand out, proving that these two ladies didn’t need the Fonz to be a hit.
4. Maude (1972-1978)
Bea Arthur’s Maude Findlay was such a force of nature on All in the Family that she practically demanded her own show. Maude took the same bold, socially conscious approach as its predecessor but put a strong, outspoken woman at the center. Arthur’s sharp comedic timing and commanding presence made her an icon of 1970s television. For those feeling nostalgic, SlashFilm provided a bittersweet look at who from the cast remains with us still.
What set Maude apart was its willingness to tackle controversial issues head-on. Whether she was taking on politics or personal struggles, Maude wasn’t afraid to speak her mind. The show had heart, humor, and just the right amount of edge, making it one of the era’s most groundbreaking sitcoms.
5. Good Times (1974-1979)
Spinning off from Maude, Good Times gave audiences a look at family life in a Chicago housing project. Esther Rolle and John Amos played Florida and James Evans, two hardworking parents trying to give their kids a better future. With humor, warmth, and a dose of reality, the show struck a perfect balance between comedy and social commentary.
Jimmie Walker’s J.J. quickly became a fan favorite with his energetic catchphrase, “Dy-no-mite!” But the show was more than just laughs—it addressed real issues like unemployment, racism, and the struggles of working-class families. Good Times was groundbreaking in its portrayal of a loving Black family facing everyday challenges, making it a standout in 1970s television.
6. Lou Grant (1977-1982)
Few sitcoms have spun off into dramas successfully, but Lou Grant pulled it off with style. Ed Asner’s gruff but lovable newsman was a comedic highlight on The Mary Tyler Moore Show, but in his own series, he took on hard-hitting journalism. The show shifted gears from sitcom antics to serious storytelling, tackling corruption, ethics, and real-world issues.
Asner’s performance was compelling, proving that Lou Grant had more depth than just a few grumpy one-liners. The writing was top-notch, making it one of the most respected dramas of its time. Even though it was a departure from its sitcom roots, Lou Grant maintained the spirit of great storytelling.
7. Mork & Mindy (1978-1982)
Mork’s debut on Happy Days was so bizarre that nobody knew what to expect from a full series. But thanks to Robin Williams’ boundless energy and comedic genius, Mork & Mindy became a runaway hit. Williams’ improvisational skills made Mork one of the most memorable characters of the era.
Paired with Pam Dawber’s sweet and grounded Mindy, the show balanced wild humor with heartfelt moments. It was a perfect mix of sci-fi silliness and touching human connections. Even today, Mork & Mindy stands out as one of the most unique spin-offs ever made.
8. Trapper John, M.D. (1979-1986)
MASH* was a tough act to follow, but Trapper John, M.D. found its own success. This medical drama followed an older, wiser Trapper John McIntyre, now a chief surgeon in a civilian hospital. The show had little of MASH*’s wartime humor, but it still captured the heart and warmth fans loved.
Pernell Roberts brought a new depth to Trapper, making him a compassionate mentor figure. Unlike its parent series, Trapper John, M.D. focused more on character-driven drama. It proved that even without the battlefield, there were still meaningful stories to tell.
9. Rhoda (1974-1978)
Rhoda Morgenstern was the best friend everyone wanted, so when she left The Mary Tyler Moore Show for her own series, fans followed. Rhoda gave her the spotlight as she returned to New York and navigated love, work, and family. Valerie Harper’s charm made Rhoda endlessly relatable.
The show’s early seasons focused on her marriage, which was a huge TV event at the time. But even after the marriage storyline ended, Rhoda remained engaging with its mix of humor and heart. While it didn’t last as long as its predecessor, it was just as beloved.
10. NCIS (2003-present)
Spinning off from JAG, NCIS took the procedural format and turned it into one of the most enduring franchises on TV. Led by Mark Harmon’s no-nonsense Gibbs, the show blended military intrigue with sharp writing and engaging characters. The mix of drama, humor, and action made it a hit from the start.
Unlike JAG, which focused more on legal proceedings, NCIS brought more hands-on investigative work. The team’s chemistry, especially early on, made it easy to invest in the characters. With multiple spin-offs of its own, NCIS has more than proven its staying power.
These spin-offs defied the odds, proving that sometimes, stepping out of the shadow of a beloved show can lead to greatness. Whether they expanded on fan-favorite characters or took a fresh approach, they earned their place in TV history.
