1. “It’s a Laugh” by Daryl Hall & John Oates (1978)
Hall & Oates had plenty of big hits in the ’70s and ’80s, but “It’s a Laugh” often gets lost in the shuffle. It reached No. 20 on the charts, but it’s not one you hear much anymore, even though it’s packed with everything that made their sound so distinct—tight harmonies, slick production, and a hint of emotional sting beneath the pop sheen.
The lyrics are surprisingly biting for such a smooth song, taking a sarcastic swipe at someone who’s not as clever as they think. Hall’s vocals carry both frustration and charm, which keeps it from getting too heavy. It’s a hidden gem that rewards repeat listens. If you only know the big hits, this one’s worth rediscovering.
2. “Telephone Line” by Electric Light Orchestra (1976)
ELO had plenty of hits, but “Telephone Line” tends to get overshadowed by flashier songs like “Mr. Blue Sky.” This one is slower, more vulnerable, and drenched in longing, but it’s every bit as masterful. Jeff Lynne pours his heart into the vocals, and the production is dreamy without being overdone.
Despite making it to No. 7 in the U.S., it doesn’t show up on “best of the ’70s” lists as often as it should. It’s a love song dressed up as a conversation, and somehow it still feels relevant today. The blend of old-school doo-wop and spacey synths is classic ELO. If it’s been a while, give this one another listen.
3. “Silver Star” by The Four Seasons (1976)
People usually associate The Four Seasons with their ’60s hits, but they had a second wind in the ’70s that often gets overlooked. “Silver Star” came right after “December, 1963 (Oh, What a Night)” and has a funky, disco-tinged sound that feels totally different from their earlier work.
Gerry Polci took over lead vocals on this one instead of Frankie Valli, which might be why it’s been somewhat forgotten. But the groove is undeniable, and the chorus explodes with energy. It didn’t climb as high on the charts as it deserved, but it proves how versatile the group really was. It’s one of their hidden gems.
4. “Summer” by War (1976)
War is best known for “Low Rider” and “Why Can’t We Be Friends?,” but “Summer” is one of their smoothest tracks and deserves more attention. It’s a laid-back love letter to warm nights, ocean breezes, and fleeting romance. The groove is soft and hypnotic, and Lonnie Jordan’s vocals give it a cool, mellow soul.
It made it to No. 7, but it’s rarely remembered as one of their biggest hits. That might be because it’s quieter than their funk anthems, but it’s a perfect slice of summer nostalgia. Play it now and you’ll be instantly transported to a beach somewhere. It’s understated brilliance.
5. “Theme from ‘Mahogany’ (Do You Know Where You’re Going To)” by Diana Ross (1975)
Diana Ross had a string of hits in the ’70s, but this one doesn’t get nearly the attention it deserves. It was nominated for an Oscar and went all the way to No. 1, yet somehow it’s been eclipsed by bigger ballads and disco numbers in her catalog. Maybe because it’s tied to the movie Mahogany, which hasn’t held up as well.
But the song itself is tender and haunting. Ross sings it with such vulnerability, and the melody is simple but unforgettable. It’s the kind of track that sneaks up on you emotionally. Definitely one of her most underrated performances.
6. “Easy” by The Commodores (1977)
Everyone knows “Brick House,” but “Easy” showed a different side of The Commodores—and of Lionel Richie as a balladeer. It reached No. 4 on the Billboard charts, but somehow it doesn’t always get the spotlight it deserves compared to other ’70s slow jams. The lyrics are straightforward but deeply relatable, especially the chorus.
The band’s musicianship is flawless, and Richie’s smooth voice anchors the whole thing. It’s a breakup song, but it’s filled with grace and a quiet strength. “Easy” was a hint of what Richie would go on to do as a solo artist. It’s one of those tracks that grows on you with each listen.
